![]() Eye of the Beholder II: The Legend of Darkmoon (FMT).Eye of the Beholder II: The Legend of Darkmoon (DOS).Eye of the Beholder II: The Legend of Darkmoon (AMI).Similar to the SNES version of the first game, the PC-9801 version, also by Capcom, adds the polish of in-game music whilst using the original DOS soundtrack. There are much more songs in this game than the previous installment, but they only play during cutscenes and do not loop. Paul and Dwight Okahara worked on the game's sound effects. This time, Paul Mudra stepped down from music composition to allow their new composer, Frank Klepacki, to get a chance to make the game's soundtrack. Eye of the Beholder II was received positively by critics, and is considered by fans of the series to be the best in the trilogy. The party has access to more spells, items, and you can even transfer party members and their items from the first game into this game. The game uses the same game engine as the first game and vastly improves the gameplay and its mechanics. Upon visiting the seemingly innocent temple, it is revealed throughout the game that a 300+ year old dragon in human form (with an uncanny resemblance to Q from Star Trek), Dran Draggore, is not only behind the evil in Temple Darkmoon, but was also responsible for the events of the first game. He sends the party to investigate the evil, and warns his scout Amber never returned. Upon doing so, Khelben informs the players that there is an evil lurking in the Temple Darkmoon. The message urges the party to visit the archmage of Waterdeep, Khelben Blackstaff. In the second game, the party is staying at a tavern in Waterdeep when a note is slipped to them. Eye of the Beholder (LYNX) (Unreleased)Įye of the Beholder II: The Legend of Darkmoon.The Game Boy Advance version is a completely different game than the others. A Lynx version was developed but never released, and featured a soundtrack by Byte Size Sound. The SNES version used these tunes, as well as in-game music from the Capcom sound team. Most versions of the game feature a minimal score of songs by Westwood's in-house audio creator at the time, Paul Mudra. The party must defeat the titular Beholder, Xanathar. They later come across a dwarven community, as well as encounter the Drow elves. Upon the party's entrance into the threshold of the sewers, the way they entered is barricaded by rocks, so they have no choice but to go deeper into the sewage system. ![]() The party is summoned by the Lords of Waterdeep to investigate an evil lurking underneath the city. On the other hand, the second game required an AdLib card to play music, whereas the first game only cut out a track. However, the third game required a Sound Blaster sound card in order to play the digitized sound effects heard in the game, whereas the first two games could play sound effects on both the AdLib and PC Speaker. The first two games were only compatible with the PC Speaker and AdLib sound cards, whilst the third game supported a multitude of sound devices, as it used the Midpak sound engine, though the first game was also compatible with the Tandy 3 Voice. The second game features some elements of rock, which don't quite fit the medieval theme of the game, but fit into the action they're used in. However, music only plays during the cutscenes and does not loop (except for the first two games, that loop the Character Generation music). and Age of Empires fame, and was the first game he ever worked on.Įach of the three games contains mostly orchestral scores that fit the action of the game. The third game, being by a different company, Strategic Simulations Inc., was composed by Mason Fisher of F.E.A.R. While Eye of the Beholder II was one of Frank's first titles, he later went on to compose some of Westwood's best known franchises such as Lands of Lore, The Legend of Kyrandia, and especially Command & Conquer. When the second game was released, Frank Klepacki had just joined the company, and was given the chance to score the game's soundtrack, while Paul took care of sound effects with Dwight Okahara. The first game in the series was composed by Westwood's only sound composer, Paul S. 2.3 Eye of the Beholder III: Assault on Myth Drannor.2.2 Eye of the Beholder II: The Legend of Darkmoon.
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